The film industry in Iran is politicized and innovative. Τhe events of the Green Movement (2009-2011) deeply affected Iranian society and its film industry. While the Iranian government’s brutality reached the international audience through social media and internet reportage, film directors presented their political change through their films, which were greeted by the international film festivals.
This analysis aims at underlining the economic and political crisis in Iraq that led to widespread protests around the country since October 2019. The government’s inability to deliver basic services to society has created a series of protests with demands for better living conditions. The Iraqi security forces and armed militias are using extreme force to tackle the demonstrations with many protesters injured or killed. Hence, the question that presents itself is how foreign interventionism affects the country’s society and sense of security, as well as its economy.
During the past few weeks, it seems that the killing of General Qasem Soleimani, the head of the Islamic Revolutionary Guard Corps (IRGC), on January 3, 2020, should have sent Middle Eastern relations and the fragile regional equilibrium into a spiral. Nonetheless, the repercussions of the US administration’s decision have not yet been observed on a larger international scale, but rather on the domestic one.
The economic recession, the dysfunctional political system and the refugee crisis have made Lebanon a vulnerable player in the Middle East region. The economic reforms that the former Prime Minister of Lebanon, Saad Hariri, tried to introduce, caused a massive cross-sectarian wave of demonstrations which lead Lebanon to political instability and to the Prime Minister’s resignation. Moreover, Hezbollah’s reaction and the developments in Syria make the situation in Lebanon even more complicated. Rapid developments in Lebanon are leading to a significant alteration in Lebanon’s political system which are affecting the citizens’ lives.
Protests across Sudan are well into their fourth month, consistently defying President Omar al-Bashir’s suppressive response, as well as his superficial political appeasing efforts. That persistence, stemming from economic and political demands highly similar to those expressed in several Arab countries during the so-called “Arab Spring”, interestingly underscores a relevant continuity of the transformative dynamics that emerged back in 2011. In Sudan, similar peaceful revolts have twice -in 1964 and 1985- ended up in the collapse of military dictatorships. Nevertheless, despite the protesters’ determination, the existence of a particularly rigid pro-status quo regional political landscape further complicates the equation that could lead to actual political change.
The Algerian people massively took to the streets for a fourth consecutive Friday on March 15th 2019, protesting against the elite, despite President Bouteflika’s maneuver four days earlier, in which he sought to appease the demonstrators by withdrawing his initial candidacy for a fifth term and postponed sine die the elections scheduled for the 18th of April. The protesters, most of them young and coming from all backgrounds, appear determined, while, at the same time, cracks are visible given the multiplication of defections within the ruling party and the business elites. However, it is of note that the Algerian system, a complex civilian-military-business nexus, would not readily give up its power and profits, and, most importantly, the army’s domination within the system is not easily challenged.
Την ώρα που οι δυτικές μητροπόλεις βυθίζονταν στην εορταστική φρενίτιδα και μέθη των ημερών, το Ιράν βυθιζόταν στην αβεβαιότητα. Εν μέσω των βίαιων διαδηλώσεων που μεταδίδονταν σαν “κολλητική ασθένεια” από τη μία πόλη στην άλλη, η παραμονή πρωτοχρονιάς του 2017-2018 έφερε ένα έντονο άρωμα “Αραβικής Άνοιξης” και σίγουρα θα μείνει αξέχαστη. Παρά την βιασύνη κάποιων να προεξοφλήσουν την αρχή ενός νέου '79 και το τέλος των Ayatollah, η Ισλαμική Δημοκρατία διαχειρίστηκε την κρίση αυτή σχετικά αναίμακτα. Αυτό δε σημαίνει βέβαια ότι δεν είναι υπαρκτή, ωστόσο πως μπορούμε να την αναγνώσουμε;
Το Κέντρο Μεσογειακών,Μεσανατολικών και Ισλαμικών Σπουδών φιλοξενεί πληθώρα διαφορετικών απόψεων στα πλαίσια του ελεύθερου ακαδημαϊκού διαλόγου. Οι απόψεις αυτές δεν αντανακλούν υποχρεωτικά τις απόψεις του Κέντρου. Η χρήση και αναπαραγωγή οπτικοακουστικού υλικού για τις ανάγκες της ιστοσελίδας του ΚΕΜΜΙΣ γίνεται για ενημερωτικούς, ακαδημαϊκούς και μη κερδοσκοπικούς σκοπούς κατά τα προβλεπόμενα του Νόμου 2121/1993 (ΦΕΚ Α' 25/4-3-1993) περί της προστασίας της πνευματικής ιδιοκτησίας, καθώς και του άρ.8 του Νόμου 2557/1997 (ΦΕΚ Α' 271/1997).