Since the beginning of the war in Syria in 2011, the country’s cultural heritage has been subjected to different kinds of annihilation. With the conflict nearing some kind of end but external forces still destabilizing the region, ongoing plans for the reconstruction of Syria’s archaeological casualties generate a multifaceted debate over when they should be taking place, the motivating factors behind these projects, their purpose and who are the stakeholders coordinating their implementation. Τhe reconstruction of post-conflict archaeology in Syria could be providing a valuable opportunity for sustaining communities through participatory initiatives that appropriate the traces of war.

 

 

 

 

 

 

 

During the historical trajectory of the Middle East, music has been associated with an unexpected spiritual power that can transform the performers and the audience in a numinous way. This power has its locus at the concept of tarab. Tarab underpins the connection that the performer and the audience develop through songs or oriental dance, by sharing the same sentimental conditions. This condition is created through the emotional connection and aesthetic reactions that performance causes. Having this spiritual power, tarab has the ability to break the constructed cultural boundaries among mind and body, cognition and emotion, providing an empirical given reality that mediates in society.

The most well-known spirit possession in Islam is performed through Ζār. The term denotes a form of spirit possession that causes illness, when the spirits descend into a person, and at the same time a healing ritual that incorporates one of the most therapeutic practices. For Ζār, the human body becomes the locus, the mediator and the carrier that embodies the spirit and its culture in daily life. For that reason, Ζār practices break the boundaries of strict medical and psychological interpretations, making their foundation inextricably linked with the way existence is comprehended. Therefore, Ζār constitutes, first and foremost, a cultural practice determined by philosophical and traditional frameworks.

The 1967 war caused great intellectual debates regarding the political situation in the Arab world in general. These debates included a number of issues, covering a wide spectrum of social, political, economic and cultural matters. This article will try to introduce the secular critical approach by the most influential Arab contemporary thinkers regarding the implications and interpretation of the post 1967 war.